A very good ending to Kieslowski's trilogy. This is the last film in Krzysztof Kieslowski's “trilogy of colors”, and focuses on the unusual friendship between a young and beautiful catwalk model and an elderly retired judge who entertains himself by listening, illegally and without no one knows, the telephone conversations of the neighbors. Why? Out of sheer cynicism. He is a man alone, bitter and unhappy. What follows is a trip in which both characters will go through very similar situations. The film continues to have notable points in terms of cinematography, sets and costumes. As in the previous films, the title color is present in all scenes and is persistently part of the sets and props. Despite being elegant, the music is intense, almost a prop for the scene, and contributes to the overall harmony of the work. As in the previous films, the duo of central actors is responsible for an interpretive tour de force, which is absorbing and impressive: Irene Jacob is an excellent actress, but it turns out to be Jean-Louis Trintignant who stands out the most. The script is quite interesting, for the way it explores the cynicism of the judge's character, and for the way it addresses interpersonal relationships, the honesty and sincerity of love and relationships, the application of the law and the moral and philosophical consequences of judgments. humans. There are some details that are a little unbelievable, like how the judge's character evolves from someone resentful and intractable to a more human person in a short period of time. However, it is a film that is really worth it.