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House of Strangers main poster

House of Strangers

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6.9/10 • 71

1949-07-011h 41m

DramaCrimeThriller

A powerhouse of emotion.

Gino Monetti is a ruthless Italian-American banker who is engaged in a number of criminal activities. Three of his four grown sons refuse to help their father stay out of prison after he's arrested for his questionable business practices. Three of the sons take over the business but kick their father out. Max, a lawyer, is the only son that stays loyal to his father.

Directors
Joseph L. Mankiewicz
Writters
Philip Yordan
Editors
Philip Yordan, Harmon Jones

Top Billed Cast

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  1. Edward G. Robinson

    Edward G. Robinson

    Gino Monetti

  2. Susan Hayward

    Susan Hayward

    Irene Bennett

  3. Richard Conte

    Richard Conte

    Max Monetti

  4. Luther Adler

    Luther Adler

    Joe Monetti

  5. Paul Valentine

    Paul Valentine

    Pietro Monetti

  6. Efrem Zimbalist Jr.

    Efrem Zimbalist Jr.

    Tony Monetti

  7. Debra Paget

    Debra Paget

    Maria Domenico

  8. Hope Emerson

    Hope Emerson

    Helena Domenico

  9. Esther Minciotti

    Esther Minciotti

    Theresa Monetti

Reviews1

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John Chard Avatar

John Chard

Dec 13, 2018

7/10

It's still being done you know, outside the jungle. House of Strangers is directed by Joseph L. Mankiewicz and adapted to screenplay by Phillip Yordan from Jerome Weidman's novel I'll Never Go There Any More. It stars Edward G. Robinson, Susan Hayward, Richard Conte, Luther Adler, Paul Valentine and Efrem Zimbalist. Plot finds Robinson as Gino Monetti, an Italian American banker who whilst building up the family business has ostracised three of his four sons. When things go belly up for Gino and the bank, the three sons turn against their father, the other, Max (Conte), stays loyal but finds himself set up for a prison stretch. Untimely since he's started to fall in love with tough cookie Irene Bennett (Hayward). Jerome Weidman's novel has proved to be a popular source for film adaptation, after this 20th Century Fox produced picture came the Western version with Broken Lance in 1954 (Yordan again adapting), and then Circus set for The Big Show in 1961. While its influence can be felt in many other, more notable, crime dramas along the way. The divided clan narrative provides good basis for drama and lets the better actors shine on the screen with such material. Such is the case with House of Strangers, which while hardly shaking the roots of film noir technically, does thematically play out as an engrossing, character rich, melodrama. Propelled by a revenge core peppered with hate motives instead of love; and dabbling in moral ethics et al, Mankiewicz spins it out in flashback structure. The primary focus is on Max and Gino, with both given excellent portrayals by Conte and Robinson. Gino is a driven man, very dismissive towards three of his boys (Adler standing out as Joe) who he finds easy to find fault with. But Max is spared the tough love, Gino admires him and sees him very much as an equal, which naturally irks the other brothers something rotten. This all comes to a head for the final quarter where the pace picks up and the tale comes to its prickly, if not completely satisfactory, ending. In the mix of family strife we have been privy to Max's burgeoning relationship with Irene (Hayward sassy), which positively simmers with sexual tension, or maybe even frustration? This in spite of the fact he is engaged to be married to the homely innocent Maria (Debra Paget). So with dad Gino proving to be, well, something of an ungrateful bastard, and Max cheating on his intended, clearly this is not a film about good old family values coming to the fore! Then there's the small matter of brother betrayal and the case of the foolish decision making process, all elements that keep the viewer hooked till the last. 7/10

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Status
Released
Original Language
English
Budget
--
Revenue
--
Keywords
new york citybased on novel or bookitalian americanrevengesibling rivalrycrime family