Godawful opening and closing credits song apart, this final entry into the Antoine Doinel Saga is an enjoyable experience. Fairly briskly paced during the first twenty minutes or so, the film later sinks into a series of unnecessarily lengthy flashbacks, filmed in various aspect ratios. Jean-Pierre Leaud is his usual charming self and the main reason to watch 'Love on the Run'. One only wishes Truffaut hadn't cannibalized his earlier works to beef up the film's running time.