One of the better anthology films from England's other house of horror, Amicus. The framing story that leads into the final story with Herbert Lom and a really creepy (if a bit slow) robot doll is crazy and the basic idea I think holds up for a series. The other stories are a mixed bag. The first one is quite grisly, but it's unclear how the narrator knows all the details she tells. The second scores points for featuring Peter Cushing and a really bizarre story, but the ending is a bit confused. The penultimate story is unique only for it's casting, the idea of seeing Britt Ekland as Charlotte Rampling's murderous alter-ego seems like it should be reversed. Some of the music is overdone to the point of absurdity, cue the robot Herbert Lom slowing making his way to a dumbwaiter accompanied by a bombastic score that makes every inch it travels like a knife in the ear.