Gilda main backdrop
Gilda main poster

7.5/10 • 565

1946-04-251h 50m

RomanceDramaThriller

There NEVER was a woman like Gilda!

A gambler discovers an old flame while in Argentina, but she's married to his new boss.

Directors
Charles Vidor
Editors
Charles Nelson

Top Billed Cast

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  1. Rita Hayworth

    Rita Hayworth

    Gilda

  2. Glenn Ford

    Glenn Ford

    Johnny Farrell

  3. George Macready

    George Macready

    Ballin Mundson

  4. Joseph Calleia

    Joseph Calleia

    Det. Maurice Obregon

  5. Steven Geray

    Steven Geray

    Uncle Pio

  6. Joe Sawyer

    Joe Sawyer

    Casey

  7. Gerald Mohr

    Gerald Mohr

    Capt. Delgado

  8. Mark Roberts

    Mark Roberts

    Gabe Evans

  9. Ludwig Donath

    Ludwig Donath

    German Cartel Member

Reviews1

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tmdb28039023 Avatar

tmdb28039023

Sep 4, 2022

5/10

Gilda is just like Casablanca if Casablanca had a happy ending, which would have been a bad idea even if it hadn’t been already done two years earlier in To Have and Have Not (which at least had Bogie in it). Like Casablanca, Gilda revolves around a love triangle set in a gambling establishment in an exotic location, but while Casablanca takes place in North Africa during World War II, Gilda takes place in South America just after the war. Moreover, if Casablanca ends with "the beginning of a beautiful friendship", Gilda concludes with the continuation of a horrible romance. Following the Rick Blaine (Humphrey Bogart), Ilsa Lund (Ingrid Bergman), Victor Lazlo (Paul Heinreid) pattern, Johnny Farrell (Glenn Ford) lives a carefree existence running a casino in Buenos Aires until Gilda (Rita Hayworth) walks back into his life hand-in-hand with Ballin Mundson (George Macready). Macready, despite his character's unfortunate name (Victor Lazlo sounds merely foreign; Ballin Mundson is positively alien), and especially Hayworth, look their parts to a T; as for Ford, let's just say he was taller than Bogie, but there’s a big difference between height and stature. Gilda has married Ballin after knowing him all of one day. This drives Johnny mad with jealousy; however, to Gilda's chagrin, he’s less jealous of Ballin than of her — and understandably so; casino owner Ballin is something of a mentor and father figure to Johnny, who in turn is his bodyguard, confidante, and right-hand man. In short, Johnny is betrayed by Ballin and Ballin is betrayed by Gilda with Johnny's complicity, though Johnny more to protect Ballin than to help her. The whole thing is sick and twisted and a lot of fun thanks to Hayworth; Johnny hates her with a passion, and if we never question the authenticity and intensity of this feeling, it is not Ford's performance but hers that makes us, not only believe in Johnny’s hatred of her, but in fact even share it. Like Bette Davis in Of Human Bondage, Hayworth owes her well-deserved fame to an absolutely infamous character. The difference is that Leslie Howard eventually wins, like Scott Pilgrim, The Power of Self-Respect, Johnny, however, ends up not only putting the pussy on a pedestal, but keeping it there. He begs Gilda: “I want to go with you … Please take me,” and is lucky, or rather unlucky enough that Gilda welcomes him back with open arms, rationalizing this decision with the dubious logic that “No one has to apologize because we were both scoundrels, right? Isn’t it wonderful?". All things considered, some couples will always have Paris; for others, there’s always Family Court.

Media

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Status
Released
Original Language
English
Budget
$2,000,000.00
Revenue
$6,000,000.00
Keywords
jealousycasinopenaltynightclubbuenos aires, argentinatrickspatentfilm noirargentinaextramarital affair