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Funny Lady

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5.2/10 • 63

1975-03-152h 16m

ComedyDramaRomance

How Lucky Can You Get!

Famous singer Fanny Brice has divorced her first husband Nicky Arnstein. During the Great Depression she has trouble finding work as an artist, but meets Billy Rose, a newcomer who writes lyrics and owns a nightclub.

Directors
Herbert Ross
Editors
Marion Rothman

Top Billed Cast

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  1. Barbra Streisand

    Barbra Streisand

    Fanny Brice

  2. James Caan

    James Caan

    Billy Rose

  3. Omar Sharif

    Omar Sharif

    Nick Arnstein

  4. Roddy McDowall

    Roddy McDowall

    Bobby Moore

  5. Ben Vereen

    Ben Vereen

    Bert Robbins

  6. Carole Wells

    Carole Wells

    Norma Butler

  7. Larry Gates

    Larry Gates

    Bernard Baruch

  8. Eugene Troobnick

    Eugene Troobnick

    Ned

  9. Heidi O'Rourke

    Heidi O'Rourke

    Eleanor Holm

Reviews1

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CinemaSerf Avatar

CinemaSerf

Nov 19, 2024

6/10

I guess a sequel to "Funny Girl" (1968) was always likely, but it really ended up being a shame that we waited seven years for this really unremarkable follow-up. The theme picks up the life of the now successful Fanny Brice (Barbra Streisand) and develops her rather lively relationship with two-bit writer Billy Rose (James Caan), who wrote a few of her hits and to whom she got married. Unfortunately, despite a decent effort from the star, the writing is not a patch on the first film: the humour there that was naive and amusing has now become coarse, unfunny and strained. The musical numbers - "More Than You Know" from Streisand and "Me and My Shadow" from Al Jolson demonstrate that Rose had some skill (with Yip Harburg on the first song too) at song writing, but again there is a paucity of memorable songs from his pen. Indeed the Oscar nominated (John) Kander and (Fred) Ebb seem to have done most of the musical heavy lifting here. We also dwell far too much on their flawed relationship, and by halfway through, the initial "breath of fresh air" approach Caan brought to the film, was drowning in a sea of treacle. Omar Sharif brings a soupçon of style to this film, and there's Roddy McDowall - well he could hardly be described as versatile, but he tries to liven things up a bit too - but, in the end it's a film about two songs with performances that almost look like they were implanted into the thing. As you would expect, it is a well put together piece of cinema - it looks and sounds great, but like a meringue - there is not much inside.

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Status
Released
Original Language
English
Budget
--
Revenue
--
Keywords
new york citysingerfemale protagonist