Pastoral drama/mystery starts and ends with witchy horror A schoolteacher who had been traumatized by witchdoctors as a missionary in Africa (Joan Fontaine) gets a gig at a remote English village where she starts to suspect witchcraft being practiced. Kay Walsh plays the educated matriarch of the town. “The Witches” (1966), also known as “The Devil’s Own,” is obscure Hammer Horror that obviously influenced the cult flick “The Wicker Man” (1973). It’s mostly a slow rural drama/mystery that opens and closes with overt witcheries. Speaking of which, people complain about the “awful” and “laughable” conclusion, but it was innovative and no doubt shocking in 1965 when it was shot. Whilst cinema flirted with Satanism & witchcraft in the early 60s with "The City of the Dead," "The Masque of the Red Death" and "Devils of Darkness," this one went one step further by depicting a devilish ceremony more explicitly, which strikes some modern viewers as cheesy and amusing. Sure, today it’s about as scary (and choreographed) as Michael Jackson’s “Thriller” video (1983), but the mundane story definitely needed something outlandish and outrageous by that point. It paved the way for the popular flicks "The Devil Rides Out" and "Rosemary's Baby,” both released two years later. Blonde Ingrid Boulting stands out on the female front as Linda. Meanwhile you might remember striking Michele Dotrice (Valerie) from “The Blood on Satan's Claw” (1971). The film runs about 1 hour, 30 minutes, and was shot in Hambleden, England, which is a half-hour drive due west of London, with studio stuff done at nearby Bray Studios. GRADE: B-