West Side Story main backdrop
West Side Story main poster

West Side Story

Visit website

7.0/10 • 1.5K

2021-12-082h 36m

DramaRomanceCrime

Two youngsters from rival New York City gangs fall in love, but tensions between their respective friends build toward tragedy.

Directors
Steven Spielberg
Writters
Stephen Sondheim, Arthur Laurents
Editors
Stephen Sondheim, Arthur Laurents, Michael Kahn

Top Billed Cast

View Credits
  1. Ansel Elgort

    Ansel Elgort

    Tony

  2. Rachel Zegler

    Rachel Zegler

    María

  3. Ariana DeBose

    Ariana DeBose

    Anita

  4. David Alvarez

    David Alvarez

    Bernardo

  5. Mike Faist

    Mike Faist

    Riff

  6. Brian d'Arcy James

    Brian d'Arcy James

    Officer Krupke

  7. Corey Stoll

    Corey Stoll

    Lieutenant Schrank

  8. Rita Moreno

    Rita Moreno

    Valentina

  9. Josh Rivera

    Josh Rivera

    Chino

Reviews4

View Reviews
dfle3 Avatar

dfle3

Jan 13, 2022

8/10

West Side story: Gritty morality tale with an emotional punch. 85% Not having seen the stage production of "West Side story" or its first film version, which I understand is regarded as a classic, I really don't have a point of comparison for this new film version of the long-running musical theatre staple. Of course, with the US being so effective at exporting its pop culture around the world, I was aware of songs and scenes from the original Hollywood film, which had positive associations for me, even though I live in Australia. The story was inspired by a much earlier tale, which I won't mention here because...spoilers. In any case, the second film version (presumably...at least as far as US film versions go) of this story is set in a slum in New York in the 1950s (the "West Side" of the title). The setting is very nicely established, with an opening shot of some partially destroyed buildings which a sign states are being demolished to make way for the gentrification of the area. The flats in the high-rise buildings nearby have a suitably "slummy" look without the aesthetic being overdone. From out of this no man's land emerges what turns out be a gang of Anglo background, known as "The Jets". You can tell that they they are bad because they soon terrorise the neighbourhood with dancing and singing, with no one daring to stop them. It has to be said, at this point, the realisation of a musical in the modern era hasn't lost my interest. Fit young blokes dancing and singing and clicking their fingers in time in the streets of a big city doesn't seem all that ridiculous now. We soon learn that The Jets have a rival group which they want to remove from 'their turf', a gang known as "The Sharks", which are of Puerto Rican ethnicity. The basis of The Jets' animosity to The Sharks is basically an issue of race (and that is also the basis of the police department's animosity towards The Sharks as well). The Sharks do not 'belong' in the US and they should 'go back to where they came from'. The first encounter we see between these two rival gangs is a violent one and it's pretty clear that things will escalate from here between them. If you're thinking that nothing thrown into this tinderbox could make it any more flammable, well...enter Tony (played by Ansel Elgort) and Maria (Rachel Zegler). Tony is the co-founder of The Jets but after a stint in prison for a shocking beating he gave to an Eyptian man, he is trying to be a better person, now holding down a steady job and no longer involved in his gang's activities. Maria is the sister of Bernardo (David Alvarez), a man who is trying to fight his way out of the slum (literally). Bernardo has a chip on his shoulder about the Anglos, who make life difficult for his community. He plays the father-figure at the flat that he shares with his girlfriend and Maria. The prospect of Maria dating a "gringo" is unacceptable to him, as we later find out when...Tony and Maria meet at a dance event and...instantly fall in love. He is also the leader of The Sharks. That moment when Tony and Maria fall in love at first sight is very sweetly done. Maria, as played by Zegler, seems like an old-fashioned Disney princess at first, being very timid but then being quite forward...perhaps like a (modern day?) Disney princess? (Since I'm not well-versed in Disney films about princesses, I'll have to defer to the judgement of people more informed than me on this subject.) The lyric from the song "Hurts so good" by John Cougar comes to mind about her: "you ain't as green as you are young". Zegler/Maria is very attractive in a winsome way. Director Steven Spielberg has really captured a winning performance from her. It occurred to me after writing down my initial thoughts on this film that Zegler would be a worthy nominee for "Best actress" at awards time. Even though I haven't really seen many 'quality' films this year, I think I know a quality performance when I see one and I don't think that a best actress award for her would be undeserved. If you think that Maria couldn't be any more adorable, well, you should hear her sing. She has a lovely voice, in my view. To me, she's the standout voice of the musical. Elgort tends towards falsetto at times. On the subject of the music, I'd say that I'm pretty sure that if you just wanted to listen to the musical on CD or whatever, then there would be better versions of that from previous productions of this story, whether on stage or screen. By that I mean perhaps the music elsewhere is bolder, brassier or arranged more pleasingly (to my ears, at least) and that would apply to the vocal performances as well. However, since I haven't heard other versions, I can't recommend one for you. It also later occurred to me how similar Tony and Bernardo are (which I've retrospectively alluded to in my earlier comments about how both of them plan to get out of the slum). Another point of comparison with Bernardo would be The Jets' new leader, "Riff" (Mike Faist). They both mirror each other as far as attitudes to "the other" goes. In any case, just when Tony thought he was out, Riff pulls him back in again, as far as gang activities go. I liked this film and had moments of recognition with it, with regards to clicking fingers and many songs. One event which did jar with me was how Maria reacted to Tony when she heard some fateful news about him. It just didn't ring true to me. Maybe with a greater passage of time it could have worked. Later, when the police officer goes over the whole timeline, the short duration was a shock too. The film was on track for a score of 80% from me but since the drama near the end of the film elicited emotion from me, I added another 5% to my score to reflect that. Random notes: Is the ending different to previous versions of this story? If it is, you can either read it as a return to sanity as far as character motivation goes or as a Steven Spielberg tendency. There is some realism to the violence, so not suitable for very young children, I don't think. I couldn't quite tell if there was some strong swearing at times or if it was toned down. Curios: 5c for a Milky Way chocolate bar, $15 for a fashionable store scarf, I think.

Media

  • West Side Story backdrop
  • West Side Story backdrop
  • West Side Story backdrop
  • West Side Story backdrop
  • West Side Story backdrop
  • West Side Story backdrop
  • West Side Story backdrop
  • West Side Story backdrop
  • West Side Story backdrop

Recommendations

  • West Side Story main backdrop

    West Side Story

    7.3

  • 8-Bit Christmas main backdrop

    8-Bit Christmas

    6.4

  • Flee main backdrop

    Flee

    7.8

  • Something's Coming: West Side Story main backdrop

    Something's Coming: West Side Story

    7.7

  • Madeleine Collins main backdrop

    Madeleine Collins

    6.1

  • Licorice Pizza main backdrop

    Licorice Pizza

    7.0

  • tick, tick... BOOM! main backdrop

    tick, tick... BOOM!

    7.7

  • House of Gucci main backdrop

    House of Gucci

    6.6

  • The Tragedy of Macbeth main backdrop

    The Tragedy of Macbeth

    6.9

  • The Power of the Dog main backdrop

    The Power of the Dog

    6.8

  • Nightmare Alley main backdrop

    Nightmare Alley

    7.0

  • Don't Look Up main backdrop

    Don't Look Up

    7.1

  • Being the Ricardos main backdrop

    Being the Ricardos

    6.5

  • Waiting for Bojangles main backdrop

    Waiting for Bojangles

    7.4

  • Parallel Mothers main backdrop

    Parallel Mothers

    6.8

  • Belfast main backdrop

    Belfast

    7.1

  • Dear Mother main backdrop

    Dear Mother

    5.9

  • Queens of The Field main backdrop

    Queens of The Field

    6.0

  • My Afternoons with Margueritte main backdrop

    My Afternoons with Margueritte

    6.9

  • The Lodger: A Story of the London Fog main backdrop

    The Lodger: A Story of the London Fog

    7.1

Status
Released
Original Language
English
Budget
$100,000,000.00
Revenue
$76,016,171.00
Keywords
new york citydancingdancestreet ganglove at first sightforbidden lovemusicalbased on play or musicalinterracial relationshipracismnostalgicyoung lovebroadway musical1950sromeo & julietlatinoromanticawestruckboldtragic