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Saga

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10/10 • 1

1968-01-01 • 0h 9m

"While film always seems to aim for humanism and anthropomorphism, I endeavoured in my film to represent only a language with three­ dimensional letters." Saga is an extension of the plurality of the means of experimentation used by Jean-François Bory to capture the dynamic inside the text, directly related to the spatialisation of letters theorised by Pierre Garnier. lts corresponding object­ book masterfully resumes the cinematographic dimension in the progression of the writing and uses a visual narration.

Directors
Jean-François Bory

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      Status
      Released
      Original Language
      French
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