Sam Waterston is New York Times journalist Sydney Schanberg on post in Cambodia as the civil war comes to it's violent, cruel conclusion. Working with local journalist Dith Pran (Haing S. Ngor) they report on the rapidly deteriorating situation. When the American forces evacuate, Pran manages to get his family to safety but he can't leave himself and so Schanberg dedicates himself to the task of extricating his friend from the clutches of the brutal Pol Pot regime in the course of which he discovers just how extensive the "Year Zero" campaign that killed hundreds of thousands of the largely peaceful, agrarian population is. Roland Joffé has never made a better film; the poignancy with which he elicits loyalty and affection from the two principals, whilst at the same time pushing home the true horrors of the behaviour of the new government makes the hairs on the back of your neck stand up- even now, 35 years later. The visions of skull strewn paddy fields coupled with a splendidly evocative score from Mike Oldfield really do hit home. The dialogue very much takes second place to that imagery; our eyes and ears do much of their own work with a sensitive, but really quite minimal guide from Bruce Robinson's screenplay. That's not a criticism; it's precisely nuanced to allow the story to breathe and develop in a truly engrossing manner that made me want to follow up. As an aside, having been to Cambodia in 2019, it is astonishing how this nation has healed after such a ghastly period in it's history, and I wonder how much that reconciliation had to do with the depiction in this film of just how horrific war can be.