Race Street main backdrop
Race Street main poster

Race Street

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5.8/10 • 19

1948-09-111h 19m

CrimeDrama

Raft at his roughest tangles with a dame at her deadliest!

A night club owner takes on the crooks who killed his best friend.

Directors
Edwin L. Marin
Writters
Martin Rackin
Editors
Martin Rackin, Samuel E. Beetley

Top Billed Cast

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  1. George Raft

    George Raft

    Dan Gannin

  2. William Bendix

    William Bendix

    Barney Runson

  3. Marilyn Maxwell

    Marilyn Maxwell

    Robbie Lawrence

  4. Frank Faylen

    Frank Faylen

    Phil Dickson

  5. Harry Morgan

    Harry Morgan

    Hal Towers

  6. Gale Robbins

    Gale Robbins

    Elaine Gannin

  7. Cully Richards

    Cully Richards

    Mike Hadley

  8. Mack Gray

    Mack Gray

    Stringy

  9. Russell Hicks

    Russell Hicks

    Easy Mason

Reviews2

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John Chard Avatar

John Chard

Oct 9, 2017

7/10

"Stay with it" Race Street, directed by Edwin L. Marin and adapted to screenplay by Martin Rackin from a story by Maurice Davis. Starring George Raft, William Bendix, Marilyn Maxwell, Frank Faylen, Gale Robbins and Harry Morgan. Music is by Roy Webb and cinematography by J. Roy Hunt. Story centers around two friends played by Raft and Bendix, the former is a turf accountant and night club owner, the latter a plain clothes policeman. With a syndicate racket moving in on the Frisco bookmaking circuit, Dan Gannin (Raft) refuses to co-operate, putting himself in grave danger. Barney Runson (Bendix) wants to move in and do it the official way, begging Dan to step aside and let the police do their job. But when the syndicate make a deadly move that hits Dan close to home, he's not for turning. In the grand scheme of Raft and Bendix movies, or classic era film noir pics in fact, this one is small fry, but strong cast and solid production foundation ensure it's an enjoyable experience. Story isn't strong, where two old friends lock horns while some villain throws his weight around, but in true noir fashion there's some sneaky surprises in store and a none cop out finale. Technically it's interesting, one quite dreadful process backed sequence aside, Marin and Hunt hit the noir bars for mood compliance. The absence of chiaroscuro is a shame, for a number of scenes here cry out for it, but the lighting techniques and shadow indulgence keeps the eyes pleased. There's even a startling sequence that appears to show Gale Robbins floating in and around the night club crowd as she sings a song, while a bit of zoom play and nifty Frisco locations add further quality. Good honest noirville enjoyment. 6.5/10

Media

  • Race Street backdrop
  • Race Street backdrop
  • Race Street backdrop
  • Race Street backdrop
  • Race Street backdrop

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Status
Released
Original Language
English
Budget
--
Revenue
--
Keywords
nightclubfilm noir