Christine No Strawberry Girl, She’s Plymouth Fury. CQB 241. Christine is directed by John Carpenter and adapted to screenplay by Bill Phillips from the novel of the same name written by Stephen King. It stars Keith Gordon, John Stockwell, Alexandra Paul, Robert Prosky and Harry Dean Stanton. Music is by Carpenter and Alan Howarth and cinematography is by Donald M. Morgan. How Do You Kill Something That Can’t Possibly Be Alive? 1983 was a busy year for Stephen King adaptations to the screen, along with Christine there was also Cujo and The Dead Zone, so for fans of the legendary author there was plenty to chew on. Christine tells the story of a possessed car that takes over the life of the school nerd, with devastating consequences. As a story that’s pretty much all there is to it, the beauty of the pic is how Carpenter ensures the car really does have a malevolent life of its own. The theme at work such as automobile obsession and the bonkers love story at the narrative heart, are not sacrificed for cheap shocks and gimmickry, but Carpenter rightly made the car the star and she doesn’t disappoint. Christine’s move from being a knackered old banger to super shiny speedster runs concurrent with Arnie Cunningham’s (Gordon) transformation. Where once was the misfit being bullied, is now a supremely confident dude, he even dates one of the school babes. But with Christine’s love and protection comes great danger, and this lets Carpenter craft some super scenes. From self healing to fiery vengeance, the director brings his lensing skills to the party. Music, unsurprisingly for Carpenter, plays a key part as well. A ream of 50s Rock “n” Roll tunes play out of Christine’s radio to align with what is unfolding on screen, while the score is distinctly Carpenteresque. Cast are very good in their efforts, though more of the wonderful H. D. Stanton should have been a requisite. Unfortunately the screenplay doesn’t afford many character instances to run smoothly, it sometimes feels like the studio demanded that Carpenter hurry up to the next Christine is evil scene instead of building the character bridges! However, it’s a film that may be undeniably 80s in tone of film making, but it has aged surprisingly well. Suspenseful, exciting and devilishly playful, this is another Carpenter movie worthy of re-evaluation. 8/10