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9.5/10 • 2

1935-08-071h 26m

ComedyRomance

There are many Dutch films, but there is only one „KRIBBEBIJTER" !

Willy, the son of baron Van Hergershuizen, finds himself disinherited after he marries an untitled girl. His wife decides to take action and applies for the job of the baron's housekeeper.

Directors
Henry Koster, Ernst Winar
Writters
Alexander Alexander, Jane Bess
Editors
Oscar van Leer

Top Billed Cast

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  1. Cor Ruys

    Cor Ruys

    Baron Coenraad van Hergershuizen

  2. Louis de Bree

    Louis de Bree

    Uncle Moeki

  3. Philip Dorn

    Philip Dorn

    Willy van Hergershuizen

  4. Dolly Mollinger

    Dolly Mollinger

    Loes

  5. Mary Dresselhuys

    Mary Dresselhuys

    Mary van Hergershuizen

  6. Louis Borel

    Louis Borel

    Hans van Maren

  7. Chris Baay

    Chris Baay

    Schimmelman

  8. August Kiehl

    August Kiehl

    Frans

  9. Sien de la Mar-Klopper

    Sien de la Mar-Klopper

    Katrien

Reviews1

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Goran.Mont Avatar

Goran.Mont

Jul 6, 2022

9/10

To say Dutch audiences in the 30s loved De Kribbebijter would be an understatement: the movie stayed in theaters from july 1935 to december 1942, packing full houses until the very end of its run. International critics seemed not to understand what exactly made this Dutch comedy so special, but when one takes a closer look at the cinematic climate in the Netherlands in those days, they will find that the Kribbebijter-madness made perfect sense. In the mid-thirties, the most popular movie genre in the Netherlands was that of the so-called 'Jordaan-film'; jolly musicals with a simple, predictable plot and catchy songs, always set in the Amsterdam 'Jordaan' area and often starring Dutch variety icons like Louis Davids, Fien de la Mar and Sylvain Poons. But even though films like De Jantjes, Bleeke Bet and Het Leven is Niet Zoo Kwaad were enjoyable and full of talented performers, the Jordaan-films were also very much seen as a crowd-pleasing, often clumsily made cinematic equivalent of junkfood. Hollywood movies on the other hand were often too melodramatic and self-important to please the phlegmatic Dutch (Doe maar gewoon, dan doe je al gek genoeg...). By 1935, Jordaan-film-fatigue was setting in — the last true Jordaan film, Oranje Hein, would be released in 1936 — and Dutch audiences were longing for something closer to the coherent plot structures of Hollywood, but with that unmistakably Dutch combination of abstemious downplaying and theatrical folly. What they got was De Kribbebijter. Needless to say, they were pleased. While retaining the romantic entanglements of the Jordaan-films, the storyline of De Kribbebijter has an un-Dutch sense of coherence; it does not derive its jolly fun from intermezzo's or random jokes, but rather from cleverly written setpieces and inspired comedic performances by theatre powerhouses Cor Ruys, Louis de Bree and Louis Borel especially. The acting is — apart from an astoundingly hammy Mary Dresselhuys — not as wacky as the Jordaan-films, and not nearly as melodramatic and overly sentimental as most 30s Hollywood productions. Visually and technically the directing is so-so, but unlike most Dutch movies at the time, the camera was dynamic enough not to make it feel like filmed theatre. In short: De Kribbebijter is a unique picture; unique in being very Dutch in its approach, but also very non-Dutch in its execution. It's a movie I enjoyed immensely, and I hope a subtitled version will be released soon so foreign cinephiles can enjoy it as well!

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    Status
    Released
    Original Language
    Dutch
    Budget
    --
    Revenue
    --
    Keywords
    netherlandspalacefather-in-lawromcombaronclass differencesfamily conflictdaughter–in–law