The Empire main backdrop
The Empire main poster

The Empire

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4.8/10 • 74

2024-02-211h 50m

Science FictionComedyDrama

Cosmic convergence.

In a quiet fishing village on northern France's Opal Coast, the birth of a peculiar child sparks a hidden war between extraterrestrial forces of good and evil.

Directors
Bruno Dumont
Writters
Bruno Dumont
Editors
Bruno Dumont, Bruno Dumont

Top Billed Cast

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  1. Lyna Khoudri

    Lyna Khoudri

    Line

  2. Anamaria Vartolomei

    Anamaria Vartolomei

    Jane

  3. Camille Cottin

    Camille Cottin

    La Reine

  4. Fabrice Luchini

    Fabrice Luchini

    Belzébuth

  5. Brandon Vlieghe

    Brandon Vlieghe

    Jony

  6. Julien Manier

    Julien Manier

    Rudy

  7. Bernard Pruvost

    Bernard Pruvost

    Van der Weyden

  8. Philippe Jore

    Philippe Jore

    Carpentier

  9. Annie Tardivon

    Annie Tardivon

    Mère de Jony

Reviews1

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Brent Marchant Avatar

Brent Marchant

May 15, 2025

4/10

When a film seeks to tackle such distinctive comedic forms as parody, satire or slapstick, the creators first need to make sure that what they’re hatching truly works. But, in the case of this latest offering from storied auteur Bruno Dumont, the mark is missed by a wide margin. This alleged take-off on classic space operas like the original “Star Wars” trilogy or “Spaceballs” (1987) simply doesn’t cut it, primarily because it just isn’t funny. Perhaps that’s due to the fact that the filmmaker doesn’t seem to be clear on the direction he wants the story to take or the tone with which it’s presented. In a nutshell, two alien species – the Ones (champions of good) and Zeroes (disciples of evil) – have been exiled to Earth (why and by whom is never made clear), where they’re battling one another to win over the control of humanity through their ground zero strongholds in a small French coastal fishing village. But, in telling this tale, Dumont’s paper-thin narrative meanders aimlessly, blending a bland mixture of lame humor (most of which falls positively flat), bombastic but innately shallow soliloquies on the nature of good and evil, unexplained Monty Python-esque absurdist imagery, and gratuitous sexual encounters that appear to be thrown in for little more than titillating filler. To its credit, the picture effectively employs some truly impressive special effects, an eclectic background score based largely on reworked neo-classical arrangements of the compositions of J.S. Bach and Henry Purcell, and a production design that incorporates set designs drawn from Gothic and Renaissance European architecture. It also features a wealth of stunningly gorgeous cinematography, although a number of overlong shots (particularly many inexplicably filmed from too great a distance) could benefit from judicious pruning. So what exactly is the director going for here? Damned if I know. If it’s satire, its symbology is seriously undercooked. If it’s a campy romp, it’s too understated. If it’s screwball comedy, the pacing is too sluggish. And if it’s insightful social commentary, it’s too superficial and doesn’t take itself seriously enough. In essence, “The Empire” may offer some segments that are nice to look at, but that’s about all, considering that the bulk of this release, in the end, really has nothing interesting, meaningful or piquant to say.

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  • The Empire poster
  • The Empire poster
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Status
Released
Original Language
French
Budget
$8,789,000.00
Revenue
$1,293,747.00
Keywords
wittyderisive