CinemaSerf
Dec 24, 2023
7/10
I was really disappointed in this film. The trails suggested a cutting edge drama about a man challenging the norms of his community but what we actually get is an over-scripted, not very well acted, family melodrama. "Travis" (Natey Jones) returns home after a spell in prison to his wife "Candice" (Alexandra Burke) and teenage daughter "Kenisha" (Temilola Olatunbosun). "Candice" has an audition to play in a Tina Turner musical and has her eyes on a spangly red dress. It's expensive, but "Travis" manages to find a job with his brother and manages to buy it for her. She loves it, but, well... so does he. At this stage we begin to sense that he has some identity fluidity issues, but that is best kept under wraps for fear it will not be well received by his family, nor by their friends. It's only when "Candice" comes home unexpectedly one evening that the relationship dynamic suddenly changes for all of them. The premiss is bold - it does aim fairly and squarely at bigotry and homophobia, but the execution is slow and ponderous. Alexandra Burke is a great singer but she is not a great actress and as the ever more contrived family shenanigans mount up - including some issues for the young "Kenisha" - the thrust that made the film interesting in the first place gets rather lost. Jones is adequate, but again his character is largely undeveloped with little of a backstory to give us a sense of just how this relationship evolved, and ultimately I just think Dionne Edwards relied a little too much on the shock value of the thread and of audience assumptions rather than develop this into something more powerful. It's watchable, bit misses the goal I'd say.